王宏建,男(1944.7- ) 北京人。擅长美术理论、美术教育。1966年毕业于新疆大学中文系，1980年毕业于地方 美术学院美术史系研讨 生班，后留院任教，历任讲师、副教授、教授，美术史系副主任、院党委副书记、博士研讨 生导师。1988年结业于英国伦敦大学考陶尔特艺术研讨 所。作品《美术概论》获国家教委1995年优秀教材1 等奖、1997年国家级教学成果二等奖。论(译)作有:《六朝绘画思想研讨 》、《毕加索传》、《艺术的本质与功能》、《山水画与自然美》、《英国古代 画家》、《马克思主义与东方 古代 思潮》、《理想 主义:社会历史与文明 的选择》等。主编有《东方 服饰艺术史》、《欧洲中世纪美术》和 新版教材《艺术概论》等。

 80年代在《美术》杂志上就发表过关于理想 主义创作方法的思考的文章。文革刚结束当前 谁也不提理想 主义了，实际上理想 主义过去叫写实主义，徐悲鸿先生就提倡写实，当时叫写实主义。那时的理想 主义不是1 个流派、1 种方法，它是1 种艺术思想，1 种艺术主张，1 种艺术精神，是最有生命力的。艺术的核心成绩 是对艺术和理想 的审美关系的理解。艺术的根源来自哪里？艺术来自你的心灵，你的情感，但你感受了，你感动了，必然有内在 缘由 ，就是生活。当然东方 的古代 主义、后古代 主义评判标准都变了，只注重 款式 。款式 不是风格。风格是什么东西？必然 是艺术家独到的认识和独特的情感，是本身 的真情，这在理想 主义的表现中是最充分的。文革前理想 主义的作品中，有非常好的东西。50年代的雕塑、绘画，是真实的感受，真诚的创作。文革期间提出的“三结合”、“三突出”，完全是违背 理想 主义基本准绳 的，完全违犯 艺术规律的。1 个画家，他必须有本身 的思想和情感，怎样 画是个人的事情，思想、生活、技巧都是个人的，这才是真实的 艺术规律，才是理想 主义所具有 的道路。

理想 主义具有 最大生命力和最大包容性，可以吸收其他流派很多东西，但是基本的应当 是写实，这是理想 主义的特点。抽象的也能够 ，但是必须无形 有色，皇帝的新衣不是艺术，要写实。理想 主义既是最有生命力的，也是最艰苦的，要沿着艺术的规律前进，要有生活积累，要对生活有独特的认识。真正艺术应当 是这样。

 1966年毕业于新疆大学中文系，1980年毕业于地方 美术学院美术史系研讨 生班，后留院任教，历任讲师、副教授、教授，美术史系副主任、院党委副书记、博士研讨 生导师。1988年结业于英国伦敦大学考陶尔特艺术研讨 所。

 论（译）作有：《六朝绘画思想研讨 》、《毕加索传》、《艺术的本质与功能》、《山水画与自然美》、《英国古代 画家》、《马克思主义与东方 古代 思潮》、《理想 主义：社会历史与文明 的选择》等。主编有《东方 服饰艺术史》、《欧洲中世纪美术》和 新版教材《艺术概论》等。

 Wang Hongjian, male (1944.7-) from Beijing. He is good at art theory and art education. He graduated from the Chinese Department of Xinjiang University in 1966, and graduated from the Graduate School of Art History of the Central Academy of Fine Arts in 1980. He later remained in the Academy for teaching. He has been a lecturer, associate professor, professor, deputy director of the Department of Art History, Deputy Secretary of the Party Committee of the academy, and tutor of doctoral students. In 1988, he graduated from the Cordolte Institute of Art, University of London, UK. The work "Introduction to Fine Arts" won the first prize of excellent textbooks of the State Education Commission in 1995 and the second prize of national teaching achievements in 1997. His works include: Research on Painting Thoughts of Six Dynasties, Biography of Picasso, Essence and Function of Art, Landscape Painting and Natural Beauty, Modern British Painters, Marxist and Western Modern Thoughts, Realism: Choice of Social History and Culture, etc. Editors-in-chief are History of Western Fashion Art, Medieval European Art and the new edition of the textbook Introduction to Art.

In the 1980s, he published an article on the thinking of realistic creative methods in the magazine Art. No one mentioned realism after the end of the Cultural Revolution. In fact, realism used to be called realism. Mr. Xu Beihong advocated realism, which was called realism at that time. At that time, realism was not a school or a method. It was an artistic thought, an artistic idea, an artistic spirit and the most vitality. The core issue of art is the understanding of the aesthetic relationship between art and reality. Where does art come from? Art comes from your heart, your emotions, but when you feel it, you are moved, there must be an external reason, that is, life. Of course, the criteria for judging modernism and Postmodernism in the West have changed, and only style is emphasized. Style is not style. What is style? It must be the artist's unique understanding and unique emotions and his own true feelings, which are the fullest manifestations of realism. There are very good things in the works of realism before the Cultural Revolution. The sculptures and paintings of the 1950s are genuine feelings and sincere creations. The "three combinations" and "three prominences" put forward during the Cultural Revolution completely violated the basic principles of realism and the laws of art. A painter, he must have his own thoughts and feelings, how to draw is a personal matter, thought, life, skills are personal, this is the real art law, is the road that realism has.

Realism has the greatest vitality and inclusiveness, and can absorb many things from other schools, but the basic thing should be realism, which is the characteristic of realism. Abstract can also be, but must be tangible and colorful, the emperor's new clothes are not art, to be realistic. Realism is not only the most vigorous, but also the most arduous. We must advance along the law of art, accumulate life, and have a unique understanding of life. Real art should be like this.