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古斯塔夫·伦纳德·德·Jonghe出生在Kortrijk作为著名的儿子景观画家扬巴普蒂斯特de Jonghe。他收到了他的第1 个艺术教训他的父亲。他继续他的研讨 布鲁塞尔在Academie皇家美术在领先的比利时画家Francois-Joseph Navez是他的老师之1 。历史上的画家路易Gallait是他的亲密的朋友和导师。当德Jonghe的父亲去世时,他只要 15岁,他的家乡城市授予他1 个奖学金。
从1848年起de Jonghe参加展览的布鲁塞尔沙龙。De Jonghe移居巴黎,开始表现出在1850年代的巴黎沙龙。他成为1 个受欢迎的画家的优雅女人和组资产阶级的画像。他通常首选内部设置,他代表几个时尚的细节。
在1870年代,艺术家多次来回 于巴黎和布鲁塞尔之间。脑出血后失明的发生在1882年结束了他的艺术生涯和他回到布鲁塞尔。领先的比利时和法国艺术家在巴黎组织了1 个慈善机构艺术品拍卖支持境况不佳的艺术家和他的家人。 De Jonghe死于1893年在安特卫普,他自1884年以来居住。
De Jonghe曾两次获得奖牌的工作:他在1862年获得1 流的奖章的三等勋章于1863年在阿姆斯特丹和巴黎沙龙。 1864年,比利时国王利奥波德我为纪念他的利奥波德的顺序.
他的初期 作品探索历史和宗教主题,如他的作文1854年的朝圣者(比利时皇家美术博物馆)。然后他改变了绘画的肖像和流派和偶尔的场景。他在石油和 水彩画。虽然他的1 些作品被发如今 国际博物馆等赫米蒂奇和奥赛博物馆,他的大部分工作是在私人收藏。
他的肖像绘画描绘当代的生活方式,时尚的城市居民。这是1 个时尚由比利时画家阿尔弗雷德·史蒂文斯在1850年代末,然后紧接着另1 个比利时画家查尔斯Baugniet,法国人奥古斯特·Toulmouche和德Jonghe本身 。 到1860年代末有1 个现成的市场类型场景的资产阶级人物,通常富有魅力的年轻女性,在奢华的环境中。[6]的爆发好时代在1870年代,这类 类型的绘画描绘时尚女性设置在内部开始流行巴黎沙龙.
古斯塔夫·德Jonghe画许多场景和孩子的母亲(通常是1 个女儿)在亲密的设置。通过姿式 的选择、服装和设置de Jonghe特征表示的类型的人。他的画的标题常常暗示图片的叙说 ,如要球。他的画旨在唤起安静的富裕的中产阶级家庭生活的乐趣。
他的作品反映了当代艺术等口味人的特征狂热的19世纪下半叶日本艺术的兴味 和工件。他的作文日本粉丝(原标题:L 'admiratrice du日本)描绘了1 个年轻女人走在日本的屏幕前,四周 其他日本和日本的目录图片对象。
古斯塔夫·德Jonghe也画1 些东方通成分如下午午睡(也称为1 个躺宫女),这反映了当代的主题很感兴味 后宫和宫女在东方主义。
虽然他的工作可能如今 看来伤感,也适应市场流行的口味,其神韵 已 承认在他的时间是真诚和完善 的结果其履行 。
Gustave Léonard de Jonghe was born in Kortrijk as the son of the prominentlandscape painter Jan Baptiste de Jonghe. He received his first art lessons from his father. He continued his studies in Brussels at the Académie Royale des Beaux-Arts where leading Belgian painter François-Joseph Navez was one of his teachers. The history painter Louis Gallait was his close friend and mentor. When de Jonghe’s father died when he was only 15 years old, his native city granted him a scholarship.
From 1848 onwards de Jonghe participated in the exhibitions of the Brussels Salon. De Jonghe emigrated to Paris and began to exhibit at the Parisian Salons in the 1850s. He became a popular painter of elegant woman and group portraits of the bourgeoisie. He usually preferred interior settings, in which he represented several fashionable details of the period.
In the 1870s, the artist repeatedly shuttled between Paris and Brussels. The onset of blindness in 1882 following a cerebral haemorrhage ended his artistic career and he returned to Brussels. Leading Belgian and French artists in Paris organized a charity art sale to support the ailing artist and his family. De Jonghe died in 1893 in Antwerp where he had resided since 1884.
De Jonghe was twice awarded a medal for his work: he received in 1862 a first-class medal in Amsterdam and in 1863 a third-class medal at the Paris Salon. In 1864, Belgian King Leopold I honoured him with the Order of Leopold.
His early works explored historical and religious subject matter such as his composition The Pilgrims of 1854 (Royal Museums of Fine Arts of Belgium). He then changed to the painting of portraits and genre scenes and the occasional landscape. He worked in oil as well as watercolour. While some of his works are found in international museums such as theHermitage and the Musée d'Orsay, most of his work is held in private collections.
His portrait paintings depict the lifestyle of the contemporary, fashionable city dwellers. This was a fashion started by Belgian painterAlfred Stevens in the late 1850s and then followed by another Belgian painter Charles Baugniet, the Frenchman Auguste Toulmouche and de Jonghe himself. By the late 1860s there was a ready market for genre scenes with bourgeois figures, usually young glamorous women, in luxurious surroundings. With the onset of the Belle Epoque in the 1870s, this type of painting depicting fashionable women set in an interior became popular at the Paris Salon.
Gustave de Jonghe painted many scenes of mothers with their children (usually a daughter) in intimate settings. Through the choice of pose, clothing and setting de Jonghe characterized the type of person represented. The title of his paintings often hinted at the narrative of the picture, such as Going to the ball. His pictures aimed to evoke the quiet joys of family life among the prosperous bourgeoisie.
His work reflects contemporary tastes in art such as the Japonism craze of the latter half of the 19th century with its interest in Japanese art and artifacts. His composition The Japanese Fan (original title:L’admiratrice du Japon) depicts a young woman walking in front of a Japanese screen, surrounded by other Japanese objects and catalogues of Japanese pictures
Gustave de Jonghe also painted some Orientalist compositions such as the Afternoon siesta (also called A reclining odalisque), which reflected the contemporary interest in the theme of the harem and theodalisque in Orientalism.
Although his work may now seem sentimental and too adapted to then prevailing tastes in the market, its lasting appeal was already recognized in his time as being the result of the sincerity and perfect taste of its execution.
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